Photographing wildlife in a nature reserve or national park can be a lot of fun, but it can also be a very dreary and tedious process. Since most African game tends to lurk in the shade of thick bush during the heat of day, finding some can be difficult. This is perhaps a mixed blessing, since the worst light for any photography occurs during the same period. A great deal of time can be wasted traveling in search of specific animals or locations that the dedicated photographer wants to capture on film.
The useless mid-day hours are ideal for that particular activity, which conveniently leaves early morning or early evening for the real pleasures of photography. That magical light is ideal for any kind of photography, particularly wildlife and landscapes. Careful planning and preparation is important. But the key to a successful photo safari is knowledge of the preferred habitats and territories of the specific species you want to photograph.
Books and lectures will help to acquire that information, and talking to game rangers is even better. Remember to take accurate maps. Obviously sufficient fuel, food and liquids, with an emergency reserve, is essential to the success and enjoyment of a foray into the bush. The Kalahari gets cold at night. Take a sleeping bag and a camping stove. And needless to say, sun screens, insect repellent and malaria prophylactics are even more important than a reliable and roadworthy vehicle. Park visitors must not leave a vehicle unless accompanied by an armed game ranger. Never, never, never walk in the bush at night.
For example, if the resolution 1600 * 1200 is desired with a color depth of 24 bit (true color) , one first calculates the number of dots (pixels) of this resolution (1600 * 1200 horizontal vertical = 1,920,000 pixels in total). The color depth 24-bit” means that for each of these pixels bear 24-bit color information.
Thus, multiplying the number of pixels with the color depth (1,920,000 * 24 bits = 46.08 million bits). Now, the conversion in bytes is only required. Because one byte consists of 8 bits, the number is divided by 8 ( 46,080,000 bits / 8 = 5,760,000 bytes) as shown in Retouching Studio Los Angeles.
If you are an aspiring wildlife photographer, it is preferable to use a 35mm SLR with interchangeable lenses. The choice of camera is personal but a suggestion is one where you would be in control. If you want to control movement in the scene that you are photographing, the speed priority mode could come in handy. And if you elect to control the depth of field. an aperture priority mode would be preferable. However, a simple manual camera is all that is really necessary as part of Retouching Studio Los Angeles.
The lens of choice for wildlife would be one with the greatest maximum aperture. These lenses are commonly referred to as fast lenses. However, there is one major drawback. Price. The faster a lens, the more expensive it becomes. What is the advantage of a faster lens?
There are two distinct advantages of fast lenses that could be summarized very simply. Faster lenses require much less light to photograph than their slower counterparts. Based on the design of faster lenses the clarity (sharpness) of the pictures is also generally very good. The new generation zoom lenses that offer a fast maximum working aperture is ideal for wildlife.
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